Dr Jenny Holt SFHEA
Programme Leader, Filmmaking
My background is in both visual art practice and television documentary production, with current film practice addressing the relationship between ideas, materialities and practices of landscape, place and documentary film. Recent research has centred on landscapes and communities of the South Pennines as a pastoral-wilderness tied to industrial histories of the north of England, and has been screened in film festivals and venues nationally and internationally. My current project 'WORK' (2018-19), in partnership with Animate Projects and Fermynwoods Contemporary Art, explores ideas and realities of contemporary working lives in rural Northamptonshire.
As a TV production freelancer for UK production companies I produced, directed and shot documentaries and factual programming for national & international broadcasters including the BBC, ITV, Channel 4, Channel 5 and Discovery channel.
I am Programme Leader for B.A (hons) Filmmaking and supervise practice-led postgraduate research.
Recent PhD and MRes students include Lucy Wright 'Making Traditions: Practicing Folk'; Patrick Baxter 'Experiencing Ghost Developments in Post-Crisis Ireland'; Danielle Swindells 'The Last Resort'; Alistair MacDonald 'Power, Landscape and the Moving Image'.
Run-down and ghettoised or one of the most beautiful valleys in the area? The entangled identity of a housing estate lying on the edge of the Yorkshire moors in the north of England. Screenings include Ethnocineca International Documentary Film Festival Vienna 2017, London International Documentary Film Festival 2017. Details…
2008 (4') Bill Brandt's well-known photograph 'Halifax 1937' (or 'Catchpoint'),was taken at the top of a snicket beside Dean Clough carpet mills in Halifax. At that time, employees of Dean Clough were in their thousands, and the Pennine textile trade still buoyant. Details…
A continually looping journey over the summit of England’s highest motorway, junction 22 of the M62, where the road crosses the moors and the Pennine Way footpath crosses the road. The play of forces at the location reverberate with histories of the motorway’s problematic construction in the 1960s. Details…
2007 (14') ‘Mill’ is a portrait of a landscape once defined by manufacturing. The steep-sided valleys of the Hebden Bridge region of the Yorkshire Pennines are built with gritstone, bounded by moor and crossed with fast-running streams. Details…
2009 (6') This film is a portrait of Moyth Campbell, a member of the cleaning staff at Manchester School of Art for the past 13 years. Moyth’s working life is governed by the working patterns of the students, often cleaning the studios in the early morning, before the students arrive for the day. Details…
“The station whence he looked was soft and green, Not giddy yet aerial, with a depth Of vale below, a height of hills above” William Wordsworth, Home at Grasmere 1806 William Wordsworth’s first reported sighting of Grasmere vale was from Red Bank, an established viewpoint, or ‘station’ from where the landscape could best be appreciated by the Lake District’s earliest visitors, tourists of the picturesque. Taking this approximate viewpoint as a master image, this Arts Council funded moving image project centres on one of the most revered, familiar and culturally resonant landscapes in England, the Lake District National Park in Cumbria, aiming to look beyond the picturesque, and cultural imprints of landscape as a visualist discourse to invoke landscape through interwoven narrative lines. Details…
2019. Filmed in and around Thrapston, Northamptonshire over the spring and summer of 2019, The Great Bear explores narratives of labour and landscape in the arable English Midlands. Details…
A development from 2006 project 'Top Withins', 'The North Wind' centres on the ruined farmhouse high up on Haworth moor, said to be the location of Emily Brontë’s Wuthering Heights. Filmed over the duration of a year, the moorland is captured elementally - in changing climatic conditions, seasons and times of day. Details…
2006 (7') Top Withins, a ruined farmhouse high on the Yorkshire moors, is the alleged location of Emily Brontë’s ‘Wuthering Heights’. Meditating on the effects of time on place, the mythology of the moors embedded in the writings of the Brontë sisters and the currency of their own mythology today, the film reflects on a world view saturated by that weathered landscape, juxtaposing it with a portrait of the same place nearly 200 years later. Details…
2014 (11') The Pennine moorlands overshadowing the post-industrial towns of the North of England define the character of this area of Britain. This landscape created the conditions for industry to develop and at the same time a means of flight from urban life. Details…
Jenny Holt is a member of the Media Research Group.
A selection of recent research outputs.
Holt, J., 2016. Uplands, Ethnografilm, Paris, April 2016.
Holt, J., 2015. Uplands, London Short Film Festival, January 2015.
Holt, J., 2012. Not giddy yet aerial, London International Documentary Festival, The Roundhouse, London, May 2012.
Holt, J., 2011. Not giddy yet aerial, The Wordsworth Museum, Grasmere, Cumbria, Feb-March 2011.
Holt, J., 2010. Work, Rogue Gallery, Manchester, March 2010.
Holt, J., 2009. 26th Kassel Documentary Film & Video Festival, Kassel, Germany, November 2009.
Holt, J., 2009. Art School: Contemporary Reflections, Holden Gallery, Manchester School of Art, March 2009.
Holt, J., 2009. Mehrwert Kunst, Frankfurter Kunstverein, Contemporary Art Gallery, Frankfurt, Germany., Nov 2009.
Holt, J., 2008. 'Mill' & 'Catchpoint', Dean Clough Galleries, Halifax, June 2008.
Holt, J., 2008. 5th London Short Film Festival, ICA, London, Jan 2008.
Holt, J., 2008. London International Documentary Festival, British Museum, London, April 2008.
Holt, J., 2007. 'All Go Digital' (China Project, MIRIAD), Central Academy of Fine Arts, Beijing, China, May, 2007.
Holt, J., 2007. 24th Kassel Documentary Film & Video Festival, Kassel, Germany, Nov 2007.
Holt, J., 2007. 5th Tirana International Film Festival, Albania, Nov 2007.
Holt, J., 2007. Detroit International Film Festival, Museum of New Art, Detroit, USA, March 2007.
Holt, J., 2007. Manchester International Festival, 'Zoom' Programme, Cornerhouse Cinema, Manchester, Sept 2007.
Holt, J., 2007. Spectre vs Rector, Residence Gallery, London, October 2007.
Holt, J., 2020. 'The Great Bear'.
Holt, JC., 2019. 'Caught in the Fabric of World'.
Holt, J., 2019. 'Crossing'.
Holt, J., 2019. 'Uplands'.
Holt, J., 2013. 'Historical Landscape and the Moving Image', Cultural History, Vol 2, No. 2, 182-198.
Holt, J., 2020. 'New narratives of labour and landscape in rural Northamptonshire: The Great Bear', Arts University Bournemouth.
Holt, J., 2020. 'The Great Bear and research in farming poetics'.
Holt, J., 2017. 'Uplands: Caught in the Fabric of World'.
Holt, J., 2012. 'Historical Landscape & the Moving Image', 'Envisioning Landscapes: Adaption & Renewal' Conference, University of Liverpool, June 2012.
Holt, J., 2010. 'The Palette of Real Life: Documentary as Art Practice', Documentary Now: A Conference on the Contemporary Contexts and Possibilities of the Documentary, Birkbeck College London, January 2010.
Holt, J. and others, ITV, 2004. 'Taxi Nights', Producer, Director, Camera. Observational documentary series about Manchester's taxi trade. ITV1.
Holt, J. and others, ITV, 2003. 'To Kidnap A Princess', Associate Producer..
Holt, J. and others, Granada Television, 2002. ''World Birthday'', DV director. Documentary film covering births taking place across the world simultaneously. Discovery Channel.
Holt, J., 2002. 'From Top To Bottom', Producer/Director, Camera. 3 short documentary films looking at the invisible workforce of cleaners. Channel 4.