Louise is an artist based in Manchester and a senior lecturer in the School of Art. Her practice predominately features performance, text, drawing and film.
Louise's work investigates the relationship between culture and historic narrative. It is concerned with recent histories and collective memory, historicity and the documentation of momentous events. She often works with collections, archives, libraries and heritage sites and is interested in the performative possibilities of these sites and histories and the narrative potential inherent in re-visioning them.
Louise often works with specialist interest groups and communities to develop performances utilizing their skills, knowledge and specialist histories. Recent collaborations include the 3C's Youth Chess Club, Morecambe Bay and Furness Amateur Radio Society and SOTA - Summits on the Air Waves (to name a few). These partnerships allow her to access expert groups whilst developing new audiences and engagement in the work.
Louise is the founder, working as artist and curator of 'Between' a programme of performance art commissions established in 2012 in association with the International3 gallery and the Cornerhouse (HOME) Manchester. The ‘Between’ programme was concerned with how contemporary performance can utilize the interstitial space of the gallery programme as a creative lab for performance art practice. The Arts Council of England, Manchester Institute of Research in Art and Design (MIRIAD) and the Contemporary Art Society supported and funded the ‘Between’ programme.
In 2016 Louise was awarded the Amanda Burton scholarship at the University of Leeds to work on a research project titled: ‘Between Art and Re-enactment - historical representation, the actual and the possible’ in the School of Fine Art, Art History and Cultural Studies.
The ‘Between’ project investigates how contemporary performance can challenge the relationship between art and historical representation through re-enactment. Using the ‘Between’ curatorial model the research explores the appropriation of historic cultural events extending the work of Deller and Lütticken as a method of understanding performance art practice within the cultural institution. Details…
Collaboration is an intrinsic part of Adkins practice and she has worked with artists from a variety of backgrounds including audio artists, classical musicians and composers and professionals within dance, television and theatre. From 1998 to 2006 Adkins collaborated with the Glasgow based artist Lisa Le Grove under the name ‘Lisalouise’. Details…
The research aim was to investigate the role of re-enactment within the context of performance art. This is with particular reference to the way in which media culture and its reading can inform our understanding of contemporary historical events. Details…
Portico Library Manchester - Performance and Script Commission 2017 . Details…
‘Notes for a Performance – (Re) visioning a Smoky Meeting’ was a four-month artist residency at the Tetley Centre for Contemporary Art in Leeds. Working with the Tetley’s industrial archive (located in-house and at West Yorkshire Archives, Leeds) the residency was concerned with imagining the past and how cinematic language informs our understanding of it. Details…
The research aim is to explore narrative representation of women with particular focus on sexualised and violent depictions in contemporary horror films through the appropriation of cinematic choreography and post-production techniques. ‘Running, Jumping, Falling’ is a three-channel installation incorporating film, audio and text which is designed to interact as a series of performances with the architecture of the gallery. Details…
Exhibition, performance and film installation. 'Un-Follow' was a series of interactive performance events and a film installation commissioned by the Foundation for Art and Creative Technology - FACT in Liverpool for the exhibition Follow. Details…
Since 2006 Adkins research has focused on the relationship between live performance and digital media. The work explores how new technologies can foster additional and alternative narrative within performance-based practice. Details…
Louise Adkins is a member of the Media Research Group.
A selection of recent research outputs.
Adkins, LB., Duffy, N., Nicolson, M., 2018. 'Extreme Views'., Art Gene Gallery, 11/2018 - 3/2019.
Adkins, LB., 2017. Notes for a Performance (Re) visioning a Smoky Meeting, Tetley Contemporary Art Gallery, 1/9/2017.
Adkins, LB., Duffy, N., Büchler, P., Cass, N., 2017. Notes for a Performance - (Re) visioning Heritage Sites and Archives., The Tetley Centre of Contemporary Art, The Portico Library, Temple Bar Gallery Dublin, Anglia Ruskin Gallery Cambridge, Espai Barra de Ferro, Barcelona, Spain, ARCHIVE, MABB2018, Malmö Konsthall, Sweden., 21/4/2017 - 10/2018.
Adkins, L.B, 2017. ‘Made in Translation’, Portico Library, Manchester., Feb 2017.
Adkins, L.B, 2016. Follow, FACT, December 2015 - February 2016.
Adkins, LB., 2015. Hold the Pose - the delegated4 performer, framing the spectator and being a 'Professional', Dark Matter Institute (Art in Unusual Spaces) at the Oursler Market in Bradford, and The Foundation for Art and Creative Technology - FACT, 24/6/2015.
Adkins, L.B, 2015. Outcasting A Century of Artists Films., Oriel Mwldan Cardigan, Wales., 2011.
Adkins, L.B, 2015. Sluice Art Fair, Sluice Art Fair - Oxo Tower London, 16 - 18 October 2015.
Adkins,L B, 2014. Dark Matter Institute, Public Art Work - Bradford, May 2014.
Adkins, L.B, 2014. Flat Pak, Toast Gallery - Century House (Castlefield Gallery), August 2014.
Adkins, L.B, 2014. Seamless - The Digital in Design, Museum of Architecture & Design, Ljubljana Slovenia, September 2013.
Adkins, L B, 2014. Video Jam - Windmills of your Mind, Manchester Art Gallery, July 2014.
Adkins, L., 2012. Between 1 - Hayley Newman & Trisha Baga, Cornerhouse, March 2012.
Adkins, L.B, 2012. Between 2 - Annika Strom, Cornerhouse Gallery, June 2012.
Adkins, L.B, 2012. Between 2 - Material Balance, Cornerhouse Gallery, June 2012.
Adkins, L.B, 2012. Between 3 - Lois MacDonald & Helen Collett, Cornerhouse Gallery, September 2012.
Adkins, L.B, 2012. Between 3 - Ruth Barker, Cornerhouse Gallery.
Adkins, L.B, 2012. Create Observe Perform, Galleria Alkovi Helsinki, Finland., 2012.
Adkins, L, 2011. Hold the Pose, Vinyl Gallery, May 2011.
Duffy, J., Griffiths, D., 2011. Outcasting: A Century of Artists Film, Oriel Mwldan, 21/5/2011 - 2/7/2011.
Adkins, L.B., 2010. Meanwhile in Manchester, Lombard Method & Grand Union- Birmingham Eastside, May - June 2010.
Adkins, L.B, 2010. Pairings, Special Collections, 2009.
Adkins, L.B., 2010. The Pursuit of Happiness, Arsenal Gallery - Poznan, Poland, May 2010.
Adkins, L., 2009. 'The Open West 09', 'Pittville Gallery' The University of Gloucestershire, 2009.
Adkins, L., 2009. 'The Pursuit of Happiness', 'The Pursuit of Happiness', 2009.
Adkins, L., 2009. Artists moving image programme, 'Another Roadside Attraction' Gallery, London, 2009.
Adkins, L.B., 2009. Outcasting Season 10, Outcasting - Online Gallery, November 2009.
Adkins, L., 2009. The Big Screen - Screening, The Big Screen. Cornerhouse, Manchester., 2004.
Adkins, L., 2009. ‘Pressure Point: Between Tracks’, 'Badhaus' St Gallen Switzerland & 'International3' Gallery, Manchester, 2009.
Adkins, L., 2008. Season 6, 'Outcasting' (moving image gallery), 2008.
Adkins, L., 2008. Various locations across the transpennine route., Artranspennine 2008., 2008.
Adkins, L., 2006. 'Et Tu Tribute', Embassy Gallery – Edinburgh College of Art Sculpture Court., 2006.
Adkins, L., 2006. 'The Magic of Real Life in Real Situations'. A CCA commission, CCA – Centre of Contemporary Art, Glasgow., 2006.
Adkins, L., 2006. The Big Screen - Screening, The Big Screen, Cornerhouse Gallery, Manchester and BBC, 2006.
Adkins, L., 2004. 'Bishops Move', Embassy Gallery, Edinburgh., 2004.
Adkins, L., 2003. 'Summer Show', International3, Manchester - Curated by Vilma Gold., 2003.
Adkins, L., 2002. 'Fight’., Leytonstone Centre of Contemporary Art (LCCA), London., 2002.
Adkins, L., 2002. Arches New Work Commission., The Arches, Glasgow., 2002.
Adkins, L., 2002. Helpmehelpyou – solo show, Hereford Salon, London., 2002.
Adkins, L., 2001. 'Lowry’s Living Room'., From Space Gallery, Manchester., 2000.
Adkins, L., 2001. Paradise Revisited., Bury Art Gallery, Manchester., 2001.
Adkins, L., 2001. Record Collection., The International 3, Manchester and Espace Contemporain, Geneva., 2001.
Adkins, L., 2001. Spinny Thing, East End Live., 2001.
Adkins, L., 2000. 'Somethin’ Stupid' a festival commission, Philadelphia International Festival of Visual and Live Art., 2000.
Adkins, L., 2000. Stuffed., The Stuff Gallery - Bethnal Green, London., 2000.
Adkins, L., 1999. 'Expo 99', part of Now 99. An Expo commission., Royal Moat House Hotel, Nottingham., 1999.
Adkins, LB., 2018. 'Notes for a Performance - (Re) Visioning a Smoky Meeting', Temple Bar Gallery & Dublin School of Creative Arts & Media, Dublin Institute of Technology, 5/10/2018.
Adkins, L.B, 2014. 'A Violent Aesthetic: The Image Beyond Representation', University of California at Berkeley, 29-30 October 2015.
Adkins, L., Duffy, N., 2011. 'Notes for a Performance - Weather Permitting', Art Gene Gallery, 5/4/2019.
Adkins, LB., Duffy, N., Buchler, P., Cass, DN., Hitchen, J., 2018. 'Notes for a Performance Final Draft: 29 November 2017', Wild Pansy Press - Leeds University.
Adkins, L., 2018. 'Notes for a Performance - (Re) visioning a Smoky Meeting'. In PAGES - The Library, Wild Pansy Press - Leeds University.
Adkins, L., 2018. 'Leeds Library 250th Anniversary Conference', Leeds Library 250th Anniversary Conference, Leeds Library & Leeds University, 20/9/2018 - 22/9/2018.
Adkins, LB., 2018. 'Theorem Notes for a Performance - Ten Men Smoking', Theorem, Anglia Ruskin University, 5/7/2018 - 5/7/2018.
Adkins, L., 2017. 'Life on the Outskirts Making Sense of a Creative Life', Life on the Outskirts Making Sense of a Creative Life, The Tetley Centre of Contemporary Art, University of Leeds & Manchester School of Art, 12/10/2017 - 15/11/2017.
Adkins, L.B, 2015. '‘Windmills of Your Mind’ - cloth and clothing as a sexual signifier within the context of erotic performance.', A COLLOQUIUM THE EROTIC CLOTH: Seduction and Fetishism., The Artworkers Guild, London., 20 March 2015.
Adkins, L.B, 2014. 'Material Balance: ‘Re-enactment’ as Interface of Performance Art and Curatorial Practice', TAG14 - The Theoretical Archaeology Group, Manchester University - Department of Archaeology, 15th - 17th December, in TAG14 - The Theoretical Archaeology Group.
Adkins, L., Duffy, N., Aubrey, K., Kettle, A., Biggs, L., Williams, C., Bonnell, S., Royle, N., Bryne, E., McCullagh, J., Cooper, D., Raven, L., Dixon, S., Schoene, B., Evans, P., et al, 2017. 'Made in Translation'.