Crafts Research Group
The Crafts Research Group is focused on the production and dissemination of high quality research in the contemporary crafts at Manchester School of Art. The group promotes the development of research activity in the history, theory and practice of craft, encourages collaboration, and supports a growing practice–as–research culture within the discipline.
Acting as a focus of creative production, constructive exchange and critical reflection, the Crafts Research Group encourages and supports the activities of researchers, makers and theorists across a wide range of contemporary making practices. Through projects such as 'Pairings', the group actively promotes interaction between subject areas (from both inside and outside of recognized craft boundaries) and between scholarship and studio practice.
Research activity within the group is focused on enquiry into the historical, cultural, social and economic significance of the hand-made and the archived object, the sustainability of crafts practice, and the critical dialogue between contemporary digital technology and traditional analog processes. Creative collaboration between individuals, HE institutions and with external and international project partners is central to the group's philosophy. The group is committed to an engagement with crafts in a multi-cultural context.
The group comprises designated research staff, including research fellows in ceramics, textiles and digital crafts, research-active teaching staff (drawn primarily, though not exclusively, from the Department of Design) and allied MIRIAD research students. Group members' research outputs cover a broad spectrum, from the production of individual artefacts and exhibitions to curatorship, critical writing and the publication of books and journal articles.
The group has recognized strengths in the material areas of ceramics (REF 2014) and textiles, and an established and growing engagement with contemporary digital processes in these and other areas.
Particular areas of research interest include:
- Embodiment; materiality and memory.
- The past in dialogue with the present.
- Collections, archives and their cultural value.
- Sustainable and cross-cultural crafts practices.
- Art and war/Craft and conflict.
- Social and public engagement.
- Digital practice as a making tool.
- Hybrid analog/digital practice.
- Visual narrative/lyricality/storytelling.
A textiles, glass and film collaboration, shown at Royal Scottish Academy, Edinburgh.
A touring exhibition; ceramics, photography film and installation, in response to Staffordshire Museums' WW1 collections.
A solo exhibition at the International Quilt Study Centre, Nebraska, USA.
The Colloquium 'The Erotic Cloth' considered the ways in which the qualities of cloth to seduce, conceal and reveal have been investigated and exploited in art.
A collaborative community project with the British Ceramics Biennial and European partners, exploring ceramics as a messenger of social change.
A participatory event at Pallant House Gallery. Curated by Alice Kettle as part of Craft Strategy SE, the event brought curators together at a performative meal to develop initiatives which crossed boundaries of use and function.
Research Group Leader
- Kirsteen Aubrey
Education Lead: Design Department
- Sharon Blakey
Dept of Design
- Stephanie Boydell
- John Davis
Visual Resources Manager
- David Grimshaw
Programme Leader MA/MSc/MFA Product Design & MA/MSc/MFA Craft
- Dr Nigel Hurlstone
Dept of Design
- Hazel Jones
Dept of Art and Performance
- Rachel Kelly
Pathway Leader MA/MFA Fashion and Textile Routes
Professor of Textile Arts
- Johnny Magee
Academic Lead for Recruitment and Admissions, Arts & Humanities
- Jane McKeating
Associate Head, Department of Design
- Lesley Mitchison
Dept of Design
- Sally Morfill
Dept of Design
- Dr CJ O'Neill
Senior Lecturer, BA (Hons) Three Dimensional Design
Course Leader BA (Hons) Product Design and Craft
- Dr Lynn Setterington
Dept of Design
- John Martin Walsh
Dept of Design
- Alison Welsh
Head of Department, Apparel (Hollings)
Exhibitions & Publications
Kettle, AM., 2020. Slipware, Crafts Study Centre, Farnham.
Superslowway, 2019. British Textile Biennal, Gawthorpe Hall, Padiham, Lancs, 3/10/2019 - 3/11/2019.
Morfill, S., Giles, S., 2019. Found Gestures (Chicago), Hyde Park Art Center, Chicago, 14/4/2019 - 11/5/2019.
Morfill, S., Giles, S., 2019. Found Gestures (London), Five Years, London.
Walsh, J., 2019. The Secret History of Magazine Design: Cover Version, Science and Industry Museum, Manchester, 11/10/2019.
Aubrey, K., 2019. Undisciplinarity, Teaching and Learning in Action, 1/2019.
Kettle, AM., 2018. Alice Kettle: Thread Bearing Witness, The Whitworth, Manchester UK, 1/9/2018 - 24/4/2019.
Grimshaw, D., 2018. Crafting the Digital : an investigation into material and process led digital making, Craft Study Centre, University for the Creative Arts, Farnham, 13/11/2018 - 15/12/2018.
Kettle, A., 2018. Odyssey, Southampton City Art Gallery, 6/10/2018 - 9/3/2019.
Kettle, A., 2018. Present Day - Supporting Living Artists, Candida Stevens Gallery, 10/11/2018 - 22/12/2018.
Kelly, R., 2020. 'A Learning Tool Kit for Sustainable Textile Practice.'.
Ian, S., Prof Richard, VN., Aubrey, K., 2020. 'Sensing the coast: exploring permanence, physicality and perspective', Atelier d'arts Film Fest (European Film Festival for Fine Crafts) and Real to Reel, the UK Film Festival of Crafts,.
Morfill, S., Giles, S., 2019. 'Found Gestures', Hyde Park Art Centre, Chicago, US, and Five Years, London, UK.
Kettle, A., 2019. 'Stitch A Tree, Karachi', Alliance Francaise de Karachi, Pakistan.
Grimshaw, D., 2018. 'Digital Generation of CNC Router Surface Patterns'.
McKeating, J., 2018. 'Nine Days a Week', MAC Birmingham.
Kettle, A., 2018. 'The 11th China Embroidery Culture and Arts Festival', Hanshan Art Museum, Hangzhou, China.
Ravetz, A., Kettle, A., Felcey, H., 2019. 'In the Bee Hive: Valuing Craft in the Creative Industries'. In Artistic Research in Performance through Collaboration, Palgrave.
Kelly, R., Stephens, M., 2019. 'The Digitization of Cordillera Weaving: Designing a New Oral Tradition. Anthropological Analysis, Mathematical Symmetry and Technical Characterization of Cordillera Textiles'. In The Digitization of Cordillera Weaving: Designing a New Oral Tradition. Anthropological Analysis, Mathematical Symmetry and Technical Characterization of Cordillera Textiles., pp. 143-160.
Carpenter, A., Illingworth, S., 2019. 'Testing The Field'.
Dixon, S., 2019. 'Ceramics, narrative and commemoration', Craft Research, 10 (1), pp. 121-131.
Non-Peer Reviewed Articles
Kettle, A., 2019. 'Anni Albers', The Journal of Modern Craft, 12 (1), pp. 67-71.
Kelly, R., Stephens, M., 2019. 'The Digitization of Cordillera Weaving: Designing a New Oral Tradition', IASDR 2019, Manchester Metropolitan University, 2/9/2019 - 5/9/2019.
Kelly, R., 2019. 'The Voices of the Cordillera- Digitising an Oral Tradition.', Design for Change Symposium, Design Museum, London, 11/12/2019 - 12/12/2019.
Kettle, A., 2018. 'In the Margins, Materialising Stories', 9/7/2018 - 9/7/2018.
Harper, P., Kettle, A., 2018. 'Making leaders/curating maker cultures', The Poetics of Leadership, Crossfields Institute, 7/9/2018 - 8/9/2018.
Dixon, S., Welsh, A., 2018. 'Refuge: Ropner's Ghost Ship: engaging with contemporary issues in the site-specific context of the museum', Manchester School of Art. Manchester Metropolitan University, 12/4/2018 - 13/4/2018.
Kelly, RMC., Carpenter, A., Illingworth, S., Hall, A., 2018. 'Testing The Field: Transdisciplinary Learning in an Unfamiliar Environment', HEA STEM Conference 2018: Creativity in Teaching, Learning and Student Engagement, Newcastle upon Tyne, UK, 31/1/2018 - 1/2/2018.
Morfill, S., Giles, S., Moskalewicz, M., Dickinson, B., 2019. 'Found Gestures: Susan Giles & Sally Morfill'.
Kettle, A., 2019. 'Horizontal Crossings'.
Millar, L., Kettle, A., 2018. 'The Erotic Cloth', Kettle, AM., Millar, L..