Challis, B., Dean, R., 2013.
Digital-Foley and Live Performance.
| Output Type: | Conference paper |
| Presented at: | 3rd International ICST Conference on Arts and Technology (ArtsIT) |
| Publication: | ArtsIT |
| Venue: | Univ Milano Bicocca Italy, Milan, ITALY |
| Publisher: | Springer |
| Dates: | 21/3/2013 - 23/3/2013 |
| ISBN/ISSN: | 978-3-642-37981-9 |
| URL: | doi.org/10.1007/978-3-642-37982-6 |
| Volume/Issue: | 116 |
| Pagination: | pp. 65-72 |
Using a series of reflective case-studies, the role of the Foley artist is reconsidered alongside technological innovations in both digital sound-manipulation and physical computing. A variety of approaches to electronic sound-production and control are described along with first-hand reflections on the expressivity and control that are offered by each within a context of live drama. In redefining digital-Foley, design considerations are outlined that could enhance the connectivity between the sound-artist and the sonic-landscapes they create. © Institute for Computer Sciences, Social Informatics and Telecommunications Engineering 2013.