Dr Danielle Child
Art Theory and Practice
Adopting an historical materialist approach to studying art history, Dani's interests lie in the post-war and contemporary periods and in the relationships between artistic practice and labour, more widely. Within this area, she is interested in making visible the work and the workers who are often hidden. Her monograph Working Aesthetics: Labour, Art and Capitalism (Bloomsbury Academic, 2019) examines the moments where art and labour intersect under capitalism, with an emphasis on the neoliberal period. Case studies include: Lippincott Inc., Mike Smith Studio, Thomas Hirschhorn's monuments, Rimini Protokoll's Call Cutta in a Box (2008-2012), Liberate Tate and etoy [sic].
Dani has taught in the School since 2011. In the same year, she completed her PhD at the University of Leeds, with a thesis entitled: 'Social Labour under Change: Collaboration, Contracted Labour and Collective Modes of Production in Art since the 1960s'. Her MA and BA in History of Art were both completed at the University of Leeds.
Key research interests for supervision:
Marxist art history.
Labour and art in relation to social, economic and political change in the 20th and 21st centuries.
'Social practices' in art: collaboration, contracted labour within and outside of the studio, socially-engaged artistic practices, relational aesthetics, artists' groups/collectives and art-activism.
Contemporary art and class.
Art and economics.
To Hell with Culture? Re-examining the commodification of culture in contemporary capitalism, 30th October 2014.
Manchester School of Art, Thursday 30th October 2014. Over 70 years ago, the anarcho-syndicalist art critic - Herbert Read - wrote ‘To Hell with Culture’ (1941). Details…
Danielle Child is a member of:
A selection of recent research outputs.
Child, D., 2019. 'Working Aesthetics: Labour, Art and Capitalism', Bloomsbury Academic.
Child, D., 2020. ''Invisble Hands': Perceiving Labour in Contemporary Art'. In Sonsbeek 20-24 Reader, Archive Books.
Child, D., 2020. 'Reconsidering Contemporary Artistic Practice as a Condition of Labour'. In #Stasis: Talks and Conferences Biennale 7 (A Selection).
Child, D., Gray, K., Weeks, H., Wright, J., 2021. 'Why Digital Isn't Enough', https://www.artsprofessional.co.uk/magazine/article/why-digital-isnt-enough.
Child, D., 2016. 'Routledge Encyclopedia of Modernism: Entries on Collage, Michael Fried, Allan Kaprow and Jackson Pollock', https://www.rem.routledge.com.
Child, D., 2014. 'Selection of articles for Red Pepper magazine', Red Pepper Magazine, http://www.redpepper.org.uk/by/danielle-child/.
Child, D., 2013. 'Art-activism & Technology: Re-examining the ‘neutrality of machines’ under neoliberalism', Convergence, Engagement & Power: The 6th Annual ICS PhD Conference, http://ics.leeds.ac.uk/files/2013/07/2012-PhD-Conference- Proceedings.pdf.
Child, D., 2020. 'Artistic Economies: Shelter, Food and Clothing', Afterall: A Journal of Art, Context and Enquiry, 49, pp. 107-114.
Child, D., 2017. 'Art, politics and the public square: From decoration to declaration!', Art & the Public Sphere, 6 (1), pp. 19-31.
Child, D., Reckitt, H., Richards, J., 2017. 'Labours of Love', Third Text, 31 (1), pp. 147-168.
Child, D., 2015. 'Dematerialization, contracted labour and art fabrication: the deskilling of the artist in the age of late capitalism', Sculpture Journal, 24 (3), pp. 375-390.
Child, DL., 2015. 'To Hell with (the contemporary commodification of) Culture!', Anarchist Studies, 23 (2).
Child, D., 2012. 'Moving Mountains: Art History for the Neoliberal Era', Reviews in Cultural Theory, 3:2, 27-34.
Child, D., 2012. 'The artist as project manager: Thomas Hirschhorn's Bataille Monument (2002)', Journal of Arts & Communities, 4 (3), pp. 217-230.
Non-Peer Reviewed Articles
Child, D., 2021. 'Why We Need to Rethink Access to the Arts', Elephant Magazine, 45, pp. 153-154.
Child, D., 2019. 'Reconsidering Contemporary Artistic Practice as a Condition of Labour', STASIS #1: Art and labor, MoMUS, Thessaloniki ,Greece, 30/11/2019 - 30/11/2019.
Child, D., 2018. ''Fabricating Value (The Invisible Hand of the Maker)'', King's College London/Courtauld Institute of Art.
Child, D., 2020. 'Labouring Bodies: Art, Work and History'.
Child, D., 2017. 'Sculptor at work: Ghisha Koenig and the Representation of Labour', Henry Moore Institute Evening Lecture, Henry Moore Institute, Leeds, 31st May 2017.
Child, D., 2016. 'Art & the Public Square: From decoration to declaration!', Artists' Critical Interventions into Architecture and Urbanism, University of Warwick, 15-16th July 2016.
Child, D., 2016. 'Demystifying Labour in Contemporary Art History: Unproductive Labour and Social Reproduction', Association of Art Historians Annual Conference 2016, University of Edinburgh, 7th-9th April 2016.
Child, D., 2015. 'Directors, Actors and Virtuosos: The performative shift in neoliberal social art practices', Historical Materialism Rome, Roma Tre University, Rome, 17th - 19th September 2015.
Child, D., 2014. '‘From Labia to Labour: an alternative to the performed body in mid-1970s’ feminist art’', 11th Annual Historical Materialism Conference 2014, UCL Vernon Campus, London, 6th-9th November 2014.
Child, D., 2014. '‘Performing Action: the global theatre of art-activism’', Performing Protest: Re-Imagining the Good Life in Times of Crisis, University of Leuven, Belgium, 8-10th May 2014.