Kettle, A., Super Slow Way, , 2019.
British Textile Biennial 2019
| Output Type: | Exhibition |
| Venue: | Gawthorpe Hall, Padiham, Lancs |
| Dates: | 3/10/2019 - 3/11/2019 |
| URL: | alicekettle.co.uk/british-textile-biennale |
| Number of Works: | 5 |
The first British Textile Biennial throws a spotlight on the nation's creativity, innovation and expression in textiles against the backdrop of the impressive infrastructure of the cotton industry in Pennine Lancashire.
The Textile Biennal looks at fabric as a means of expression; exploring textiles as a vehicle for protest and cultural identity in installations, performances and art works that take a dynamic look at our relationship with that most basic and ancient of human creations, cloth.Migration is the defining issue of our time. How each individual, group, industry and family choose to respond to this subject will shape the foundations of our future communities.
Alice Kettle's project Thread bearing Witness was first shown at the Whitworth in 2018. the project seeks to connect concerned communities and individuals across the UK, inviting them to get stitching, showing solidarity and raising funds for displaced people around the world.
Simultaneously, Alice is working on a local level to connect personally with individual women and children refugees and asylum seekers, asking them to work with her to contribute to and inform new monumental stitched artworks. These artworks are inspired by the strength, resilience, and hospitality of refugees and asylum seekers whom she and her family have worked with.
The Digital Women's Archive North CIC (DWAN) is linking to the project the Travelling Heritage Bureau which will address both the need to ensure the participation of women artists in contributing to arts archives, and the additional complexities of displacement for undertaking arts archive development.
Textiles offers a powerful medium through which to explore themes of cultural heritage, journeys and displacement. Embroidery is a domestic practice representing home-making, it is steeped in the history of trade routes with its global connections to production and pattern. The exhibition will use thread to examine the interconnected social world we live in.