Textiles in Practice
Sally is a Senior Lecturer in the Textiles in Practice programme, she is also a PhD candidate with MIRIAD, undertaking practice-based research that explores the shared space between speech-related gestures and drawing gestures.
Sally's practice is cross-disciplinary and often collaborative and is informed by her own Textiles education. She has a BA in Textiles from Manchester and an MA(RCA) in Fine Art (Tapestry). She first explored collaborative possibilities post graduation as one of a collective of artists working together towards exhibition outcomes in the early 1990s. More recently she has collaborated with a range of artists: Edward Dorrian, Mary Maclean, Ana Cavic and Sylvie Vandenhoucke, as well as with composer Matthew Lee Knowles and dancer, Karen Wood. These experiences have fed her interest in setting up interdisciplinary possibilites for students in the School of Art.
Since 2007 Sally has been a member of Five years, an artist run gallery based in Hackney, London, sharing responsibility for the programming of events and exhibitions. She has used this platform to showcase work by other MMU staff including Andrea Zapp, Sophie Benson and Jane Webb as well as to explore curatorial possibilities relevant to her research.
Five Years members act autonomously in deciding the nature and content of their contributions to the exhibition programme. The creative freedom that this structure allows generates a continuous, rapid succession of new projects, continuously branching out into unpredictable territory, beyond the control of any individual directorship.
ECHO was a collaboration with dance practitioner, Karen Wood resulting in a performance at Open Space, Axis Arts Centre in March 2013. Our collaboration was part of Fragments, a larger project involving five artist pairings, initiated by Five Years and funded by the Arts Council. Details…
As a member of Five Years, an artist run space based in Hackney, London, Sally Morfill has invited three artists working across different disciplines, to consider the idea of incompletion in relation to their respective practices. Each work is a proposition that leaves some aspect of itself unfinished; the placing of the work within the space of Five Years is similarly viewed as one iteration of many potential resolutions to the new conversation that is opened up by grouping these works together. Details…
The Naturalness of Strange Things considered the 'microstructure' of Henri Michaux's drawing 'Alphabet' (1927). Michaux's symbols were redrawn, digitally deconstructed into their constituent strokes, cut from adhesive vinyl, 'weeded' to remove the waste vinyl, then given to Ana Cavic; (an artist/poet and one half of Ladies of the Press*) to reconfigure as text. Details…
Research started in 2011 focuses on the relationship between movement and drawing; it aims to identify an emerging field of drawing, looking at recording technologies such as motion capture within the historical context of tools that aid artistic representation and exploring methods for materially translating captured data. The work acknowledges the legacy of artists attempting to communicate movement from Etienne-Jules Marey through Marcel Duchamp to contemporary artists such as Susan Morris whose recent prints record her movement in the activity of making her plumb line drawings. Details…
Sally Morfill is a member of the Crafts Research Group.
A selection of recent research outputs.
Morfill, S., Cavic, A., 2015. The Naturalness of Strange Things, Five Years, April 2015.
Morfill, S. and Wood,K., Dorrian, E. and Todman, A., Hulson, M. and Curran, P., Fry, R. and Square and Triangles, Planas, E. and Tuesday-029, 2013. Five Years: Fragments, Five Years, London, May 2013.
Donszelmann, B., Healy, R., Maclean, M., Minkin, L. & Summers, F., Morfill, S., Proctor, R., Renshaw, T., Toren, A., Vinitsky, Y., 2012. ONE AND ONE AND ONE, Cafe Gallery, London, 23/09/12 - 28/10/12.
Webb, J., 2011. Pairings, MMU Special Collections, Otter Gallery Chichester, Fairfield Mill, Cumbria, September 2010 -.
Webb, J., 2011. Re-Infecta, Five Years Gallery, London, 19/02/11-06/03/11.
Bristow, M., Morfill, S., 2011. Z-depth buffer, Five Year, London, 26/11/11 - 11/12/11.
Morfill, S. and Vandenhoucke, S., 2010. by day my limbs, by night my mind, Five Years, London, April 2010.
Morfill, S., 2010. Power of Copying, Xuzhou Museum of Art, Xuzhou, Jiangsu Province, China, May - July 2010.
Morfill, S., 2009. Voice and Nothing More, Slade Research Centre, January 2009.
Morfill, S. and Cavic, A, 2008. in them fighting a seed terrible. it sows, Five Years, London, September 2008.
Dixon, S., Welsh, A., 2008. Mechanical Drawing: the schiffli project, The Hub, Sleaford., 8 March to 27 April.
Morfill, S., 2006. Frenzy, The Metropole Gallery, Folkestone, 9/7/06 - tbc.
Morfill, S. & Dorrian, E., 2002. Silence and Darkness, Outline, Amsterdam, 1st-28th June 2002.
Morfill, S. & Mclean, M, 2001. I’m Wary, Five Years, 40, Underwood St, London, 15/09/01 – 21/10/01.
Morfill, S. and Wood, K., 2016. 'ECHO', Open Space, Axis Arts Centre, March 8th/9th 2013.
Morfill, S. & Dorrian, E., 2002. 'My Voice in Your Head', Variablemedia (on-line_, http://www.variablemedia.org/info/press/press_myvoice.html.