Oliver, E., 2018.
From Gaze to Witness: Masculinity and Loss in George Shaw's Paintings of Tile Hill
|Output Type:||Journal article|
|Publication:||FORUM: University of Edinburgh Postgraduate Journal of Culture & the Arts|
|Publisher:||Edinburgh University Library, Edinburgh|
<jats:p>This paper explores the gaze as witness in George Shaw's painting of Tile Hill. Considering Shaw's process of making in the series 'Scenes of the Passion' (1990-2017) the paper addresses the relationship of site, memory and gaze in a negotiation of masculinity and loss in these images.</jats:p>